Roomful of Teeth - Roomful of Teeth
The adventurous and renowned vocal octet Roomful of Teeth released their debut self-titled album Roomful of Teeth in October 2012, which was subsequently nominated for three GRAMMY awards and won for Best Chamber Music/Small Ensemble Performance in 2014.
From the neo-alpine yodel on Rinde Eckert’s "Cesca’s View" to Caleb Burhans’s stirring post-minimalist take on bel canto singing in "No," the album breathes fresh life into the a cappella landscape. One of this generation’s most dynamic vocal talents, Merrill Garbus of tUnE-yArDs, contributes two electrifying songs that explore a range of world-inspired grooves. African pygmy yodels, Inuit rhythmic pulsing, Appalachian hymn tunes, and bracing Eastern European belting all filter through Garbus’s powerful compositional voice. For her Pulitzer Prize-winning four-part composition Partita for 8 Voices, Caroline Shaw uses her insider vantage as a Roomful of Teeth vocalist to create a sonically exquisite and emotionally charged journey through the ensemble’s soundworld.
New Amsterdam co-directors William Brittelle, Judd Greenstein, and Sarah Kirkland Snider contribute as well: Brittelle’s daring "Amid the Minotaurs" pushes and pulls before opening into a heart-stopping soprano solo; Snider’s otherworldly "The Orchard" intertwines haunting vocals with the text of poet Nathaniel Bellows; and Greenstein’s three pieces explore the group’s polyphony at its most lively, tender, and affecting. Altogether, the album is a 13-piece showcase of this adventurous ensemble’s staggering range, resulting in an entirely unforgettable listening experience.
Additionally, Roomful of Teeth member and New Amsterdam composer Caroline Shaw’s Partita for 8 Voices, which is featured on the album, was awarded the 2013 Pulitzer Prize for Music. The Pulitzer jury praised Shaw’s composition as “a highly polished and inventive a cappella work uniquely embracing speech, whispers, sighs, murmurs, wordless melodies and novel vocal effects.”
Press and News:
Textura: ”Roomful of Teeth’s self-titled debut album reveals the outfit to be less a polite classical choir than a virtuosic vocal octet whose exuberant renderings of the composers’ works makes for exhilarating listening”